Broader cultural appreciation of native Nevadan art forms took hold in the late nineteenth century, as a widespread fascination with American Indian culture spread throughout the United States. One major influence was the rise of the Arts and Crafts movement in the decorative and fine arts, which placed a high value on work created individually by hand, not mass produced by factories.
Native American arts like basket weaving fit in squarely with this philosophy, and indigenous artists of the American West and Southwest in particular found their work in growing demand. Louisa Keyser (also known as Dat So La Lee) may be the most celebrated native basket weaver in the state’s history, but she was far from alone. Many other native artists found patronage and popularity in the early twentieth century, and many more basket makers and weavers have explored the intersections of tradition and innovation ever since.
The rock art produced by ancient indigenous cultures also has developed a broad range of support, for both its archaeological value and its artistry. Appreciation of rock art transcends cultural backgrounds. At the same time, it carries a responsibility to leave these irreplaceable cultural productions untouched, so that they may be preserved for future generations.
Literary work produced by Nevada Indians had its start with the publication of Sarah Winnemucca’s seminal work, Life Among the Piutes, in 1883. Since then, tribal members from Nevada have explored the entire range of genres and subjects, delving into the particulars of the native experience as well as the universalities of human nature.
As Nevada’s native communities continue to share their contemporary, folk, and traditional arts with the broader public, their artistic and cultural creations continue to build bridges between those of all backgrounds.
None at this time.